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colour photo movie story?
Many love story films came on the Telugu screen and made the audience feel good. Many stories have emerged against caste, religion and color. Color photo of a love story that came to share a new feeling to the audience again in such a cove. The actress, who has experience in YouTube and short films, played the lead roles in the film. Let us know what kind of feeling the color photo conveys to the big movies or the impatient, dissatisfied audience during the Dussehra festival.
Born into poverty, Jayakrishna is an engineering student. He is part of the home-based dairy business and supports the family. Jayakrishna, who is black, falls in love at first sight with Milky Beauty Deepti Verma (Chandni Chowdhury) who is studying engineering in his college. As in all the stories, Deepti’s elder brother Ramaraju (Sunil) stands in the way.
How the love story of Jayakrishna and Deepti went on at the Engineering College in Machilipatnam. Born into a wealthy family, Deepti fell in love with Jayakrishna, who had no beauty and no money. Ramaraja, who works as a police inspector, opposed their love for any reason. Why does Ramaraja not like lovers? Under what circumstances did Deepti have to marry Chandu (Adarsh Balakrishna)? What were the circumstances of Jayakrishna’s life after Deepti’s marriage? Color photo story is the answer to the question of how the love story of Deepti and Jayaraju ended
The story begins with the arrival of Deepti Varma from America due to the death of her father. Deepti Varma’s strange behavior while holding his father’s corpse next to him, the point where his elder brother Rama Raju gets irritated makes the audience interested in the story. After that, going into flashback with an interesting scene .. College scenes go on and on and on. Love goes on beautifully, sensibly. If not, it seems that the story went on and on as the director was not active in telling the story. Lack of speed in storytelling gives the impression that the feel good factor has been missed. From the pre-climax to the end title, the director’s success in telling the story in an interesting and emotional way has made the overall color photo feel good movie.
There is something new in the point chosen by director Sandeep Raj. Otherwise there seems to be a hesitation in the process of running the film due to inexperience. However, some of the shortcomings of the director’s technical values, the performance of the actors to cover up some relief. The director’s ability to deal with some emotional scenes is evident. The climax is Deepti’s going into the hut, as well as the special biryani scene with Sunil, and the scenes shot on Jayaraj’s character after he became an avidiwada, mirror the director’s talent. Color photo would have become another feel good love story if the story and articles had been more careful.
In the color photo film Suhas appeared as a stronger object to the love story than as the protagonist. The emotional scenes seemed to be done very naturally and easily. Some of the other emotional dialogues that Suhas says are heartbreaking as the girl says my mother will be like a beautiful smile. Suhas was the main force behind the color photo. Chandni Chowdhury also acted in her own style. Impressed by the amazing acting in some of the scenes on the beach. Deepti performed gestures appropriate to the character.
Sunil Apt is not suitable for the role of the villain Rama Raju but .. he cultivated the character in some scenes. It became difficult to imagine Sunil in the role of Rama Raju. Having been imprinted in the mind as a comedian for many years, it became difficult to see that image wet. His character seemed to be the same in scope. Harshavaiva played the role of the child Jesus wonderfully. Several days later he appeared on the roll with maturity unlike the routine comedian characters. His getup is good enough to fit the character. Harsha not only entertained but also nurtured emotion.
Special mention should be made of Kalabhairava music in the technical section. The background score was done to take the scenes to another level. Venkat Shakhamuri became a one-man show in cinema. The scenes are wonderfully painted. The way the camera captures the beauty of nature on the beach is great. The performance of the art department has been tremendous since the periodic back drop. The care taken in a lot of costumes and make-up has become more attractive to the film. Editing still has some scope
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