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colour photo movie story?
Not all love stories end happily. Tragic love stories we have seen so far. There are many love stories in Tollywood with the concept of caste, religion and poverty gap. But, the first film to come out with the concept of ‘Color Barrier to Love’ was ‘Color Photo’. The film, which opens with the story of how a person can interfere with love of color, was released on October 23 on ‘Aha’.
Jayakrishna (Suhas) works hard at home milking and studying engineering. He studies hard, gets a good job and hopes to take good care of his father. On the other hand, Deepti (Chandini) .. Jayakrishna is studying in the same college. This brilliance is the sister of SI Ramaraju (Sunil) who hates love and lovers. He lives with the idea that he should give his sister a beautiful groom and marry her, and give their beautiful daughter to his son for marriage. In this sequence Jayakrishna who is black falls in love with Chandi. Ramaraja knows this thing. What happened after that? Where did the love story of Jayakrishna-Chandini go? That is the movie.
‘Color’, the plot of the film, is good to hear but not good to see on screen. Because in our society the color scale is very rare in the value it gives to a man. We can not accept that color is a barrier to growth in life beyond that unless something is commented on by friends at school and college. Sai Rajesh made the story by taking such a topic. Even director Sandeep Raj could not unveil the story on the screen.
The first part of the movie runs very slowly. Introduction about the hero and heroines .. Their college days .. Conflicts with seniors are the same things the director showed in the first part. Did not step into the original story until the interval. The love story starts after the interval. It was also routine. The director did not show the exact reason why a white handsome girl fell in love with a black boy. That girl is more than that boy in beauty, education, floor .. all in all. Then there must be some point in that girl liking that boy!
We can hardly digest the fact that the girl fell in love with the single point of studying engineering selling milk. Even after Jayakrishna and Chandi fell in love, the director’s approach to the story was not very impressive. In addition, vilinism did not bear fruit. Even the speech scene in the college set to elevate the hero character does not entertain the audience. In fact in love stories the chance for emotion is high. But, there is very little scope for that in this movie. Except in the pre-climax, the audience is less likely to be emotional. However, the film is very beautiful with no vulgarity anywhere.
When it comes to the cast, Suhas and Chandi did one hundred percent justice to their roles. Especially Suhas .. Jayakrishna in the role. The small gestures he makes definitely touch the mind of the audience. Suhas’ performance in the upcoming scenes in the pre-climax brings tears. Chandini was also cast in the role of an aggressive girl. Impressed with natural acting. The role of Rama Raju played by Sunil is disappointing. My feeling is that Sunil was unable to cultivate cruelty in that role. As he says in the dialogues that old Sunile appeared again. Harsha is a good relief in this movie. He laughed well with his comedy timing.
The main attraction of the color photo is the strong Bhairava music. The songs he provided and the background music were awesome. There is no doubt in the charm that you will still float in that music after you see the movie. The difficulty of the art director to take the story back to the 1999 period appears in the film. Venkat R Shakhamuri Photography is decent. Editor Kodati Pawan Kalyan has to say the least for his scissors. Producers gave good output with low budget. Construction values are good
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