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thevar magan movie story?

It has been 25 years since the release of Thevar Magan ‘. Just a little awe-inspiring. There are a number of reasons why this film, released in 1992, looks like a recent release. Importantly, it has been 25 years since such a complete film was released. ‘Isn’t that film, isn’t this film?’ You do not want to be frustrated if you cannot get the right pitch so invest in a good capo. I mean, the film that completes itself in every way is no different than ‘Son of God’. Even though it is a film made by Kamal! ‘Thevar Magan’ is one of the few Tamil films that has been made to be enjoyed then and now, without giving space to any section that measures center.

The Godfather ‘may be the reason for this. The whole world has told that story from different angles. It includes the greatest heroes. Like ‘Nayakanai’ in Tamil, different films have been made in India. I have read that Kamal wrote the screenplay for Anand as he was not comfortable with it. Not sure what the value is for news like this. However, a completely new script was introduced in Tamil. It transcended what existed. For example, Sujatha and Balakumaran, who were writing at the time, had never performed such psychological approaches in verse.

Can you say that it is the screenplay that chooses how to tell a story and deliberately chain the scenes …? We look at hundreds of brain-dead images because we don’t know that it’s not just sequencing events. Screenplay, good screenplay is more difficult than writing a novel. Fans should be familiar with the psychology of cinematic minds that are performed directly in front of them. Have a set of small surprises. This scene is guaranteed for the next scene. You have to move regardless of what is the center of a scene. Not only this, with the help of fire you can do welding. Each character begins to light up in a few moments, and the screenplay ends with a living and satisfying color for everyone. I think Kamal should be proud of its creator.

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Those who have seen the film think for a moment about the great God. Think of the illusion. ‘Where has my power gone in these few days?’ Says Banumati, an unforgettable panchavarnam who asks, ‘Sing to sleep.’ Izaki, who lost an arm and wandered away. Not to mention the fact that the bride, the little god, is his grandson, the twins. Everyone who starred in this film is a good actor and actress. But, even their eyes looked different. The light did not reflect on their faces. They talked just like us. We do not tolerate the humiliation of an original man. The excitement of love and the heartbreaking pain of love are as we have always known. Did you notice, it was a shock to me when a Kallabard Natarajan who had ever acted in all the old films snarled for his childhood. These are all effects of that screenplay.

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Revathi was known to be a good actor. Gautami wondered. It will be understood that this is a different film as the force that arrives at the Tuvalur railway station as soon as it is taken gradually develops its movements without tapping immediately. You can see that they are taking a different color for this. The director of the film is Bharathan. He has done 50 of his 50 films.

The one who adds flavor to a play by telling a scene whether it is divided or not. Let’s see how seriously you can take him for saying he knows cinema. The scene set by his eyes is unlikely to go sour. Bharathan had already done a couple of films in Tamil. ‘Aavaram Poo’ showed uniqueness. He further elaborated on himself in ‘Thevar Magani’. To this day, the range of his screen language continues to tell the story of the film. I think of all the technicians who were alive in the film as his eyes. This article cannot be concluded without telling you about the king who missed what he said. Because he is the one who completed this film completely

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